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I’ll list a few of these with brief notes at the end. There are a good number such attempts by artists I like very much that basically leave me indifferent. Even considering there weren’t as many such projects back then, it’s a little surprising how few of them excite me. With this post, I’m listing my favorite such sort of side endeavors predating Pin-Ups. The motivation behind other projects seemed kind of inscrutable-Bowie kept pumping out original material shortly after Pin-Ups, and maybe just wanted a break from the pressure to deliverable more compositions after his ascent to glam superstardom. Lennon’s Rock’n’Roll was at least partly cut to settle a legal dispute over song copyrights. Sometimes these records seemed to mark time when a band had run out of inspiration or fresh material ( Moondog Matinee). A little more than a year later, John Lennon put out his oldies covers collection, Rock’n’Roll. Around the same time, the Band did their oldies record, Moondog Matinee, and Bryan Ferry his all-covers LP, These Foolish Things. Del Shannon even did a Sings Hank Williams LP in 1965, though like many such combos, it looks more interesting than it sounds.Īrguably, the first such post-Beatles detour by an established star known for doing original material to gain wide attention was David Bowie’s Pin-Ups, devoted to classic British Invasion covers in 1973. In fact, such projects have been a part of rock from its start, whether it was Elvis Presley doing a Christmas album or Ray Charles doing Modern Sounds in Country and Western Music. Songs from the 1940s, x superstar interprets compositions by x songwriter, an all-blues covers session – there are plenty of examples. As time goes on, it seems like there are more and more tribute/covers albums than ever before by acts known mostly for doing their own material.

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